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The immediate success of Tintin and his trusted dog was a surprise for Hergé. Part of the appeal lays in the way Hergé used speech bubbles – a feature from American cartoons that was entirely new to Europe at that time. Hergé’s speech bubbles brought Tintin’s adventures to immediate life on the page. Readers loved the slapstick humour of the vividly drawn stories which took Tintin and Snowy to far-flung places. Although Hergé himself rarely travelled outside Belgium, he carefully researched and drew all his locations with remarkable flair and amazing attention to details. The adventures of Tintin were an instant hit. The 1930s were perhaps the happiest time for Hergé. He published a number of his best works, including Tintin in the Land of the Soviets, Tintin in America, The Blue Lotus and King Ottokar's Sceptre. However, all this changed in the Second World War when the Nazis occupied Belgium. The Belgian King asked Hergé to continue working, even though this meant working under the censorship of the occupying forces. Although Hergé remained politically neutral throughout the war years, writers and journalists later accused him of being a collaborator. Hergé defended himself by saying that he simply continued to do his job – just like any plumber or carpenter who continued to ply their trade during that time. However, the allegations of collaboration stayed with Hergé for the rest of his life.
To view the complete article, subscribe to Just English magazine. Glossary Fictional imaginary; invented for a book or play. Plucky brave and determined. Debut first public performance or appearance. Slapstick humour that is based on physical actions rather than the play of words and language. Neutral not involved; not taking sides in a war or an argument. Collaboration help that someone secretly gives to an enemy or opponent. |
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Tintin by Mary Huber

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