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   The Strange Case of Outdoor Art by Sara Hall

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The Strange Case of Outdoor Art

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Outdoor art has been a part of many cities for a very long time. Art in the form of statues, fountains, obelisks, murals and parks with pleasure buildings brings grace and beauty to many of the world’s famous civic spaces. Indeed, public art is one of the ways in which a city proclaims itself to be an important centre for culture.

Traditionally, this kind of art has often been made of metal. In the 20th century, sculptors particularly liked bronze or marble as the material for public statues. This is because bronze and marble weather and age in interesting ways. More recently, a number of 21st-century artists have preferred to work in iron or steel, saying these metals reflect the materials of our high-tech age.

 

However, all this may be coming to an end. The cost of metal and other raw materials is rising. Even scrap metal prices are rising too.

 

This means that wherever you and I see a bronze or steel statue, a thief sees a pile of cash in terms of scrap metal value. In the past, the size and weight of public statues protected them from theft. It takes real effort to steal something that weighs a tonne or more. Nowadays, it is much easier. Scrap metal handlers simply use big equipment to bulldoze or crane a statue into a lorry. And because the thieves do not care about damaging the piece, they can work at great speed. 

 

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Glossary

Parchment (n) – material used in the past for writing.
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  Last Updated ( Wednesday, 18 January 2012 16:52 )